Sigrid and her sister Sylvia hang out in the kitchen talking about coffee and making some, too. At times, they get a bit silly.

The two sisters talk about coloring, one of Sylvia's favorite things to do and they look at some of the work she has done.

The two sisters unpack a box that hadn't been opened since she moved to the house in Tacoma. It contains artwork she had done in the past along with some stray art supplies.

Sylvia talks about how her diagnosis was reached and about what limitations there are for her now, such as going out for walks by herself and singing in the choir at church.

Sylvia is willing to talk about her Alzheimer's diagnosis, even though she struggles to form sentences and find the right words.

Dale walks us through the essentials for establishing whether you are a cowboy or not. One thing he doesn't mention is the constant use of "ain't" instead of "are not."

Sigrid talks about the reality of conversing with someone who has Alzheimer's. They often have trouble finding the word for the thing they are thinking of.

Sigrid describes traveling from her home in Italy to Tacoma, Washington in the United States to care for her sister with Alzheimer's disease. She stayed there for a whole month.

Abi reads extracts from a version of Clement Clarke Moore’s famous Christmas poem, popularly known by its first line “’Twas the Night Before Christmas,” about a father who witnesses the visit of Santa Claus on one magical Christmas Eve.

Captain Kirk’s crew has stolen a cloaking device from the Romulans, but when they attempt to hold the Romulan Commander hostage, they find out just how dangerous she is.

The right cut made at the right moment is crucial to the smoothness and flow of a film. Understanding the concept of “eye-trace” helps editors make films that are far more engrossing for the viewer.

Sigrid has more fun with limericks, attempting to sing one, and dedicating another limerick to her boss. She offers a final limerick from Edward Lear, the king of limericks. See Part 1 for instructions on how limericks work and how to write one.

Captain Kirk finds himself in Olympus, and face to face with the Greek god, Apollo... or so it would seem! But what might a classical deity want from the stunned and bemused Star Trek crew?

This film editing masterclass looks at both theory and technique. Deciding on the order and duration of each shot is a process that profoundly influences a viewer’s experience.

In these scenes from a 1967 episode of the classic American sci-fi series Star Trek, Captain Kirk is held prisoner and Spock mounts a daring rescue.